John Doerschuk has been in the sound business for over 25 years. He was attracted to waves and electrons while playing in bands in the seventies, and somehow continues to make a living as an "audio guy." He lives with his artist wife Bessie and daughter Sophie in Cambridge, Massachusetts. John plays piano and guitar and is trying to tame a Dobro.
Red House recording artist Cliff Eberhardt knew by age seven that he was going to be a singer and songwriter. As a child Cliff taught himself to play guitar, piano, base and drums. In his teens Eberhardt was fortunate enough to live close to the Main Point (one of the best folk clubs on the East Coast), he cut his teeth listening to the likes of James Taylor, Joni Mitchell, Bruce Springsteen, Howlin' Wolf, Muddy Waters, Bonnie Raitt, and Mississippi John Hurt - receiving an early and impressive tutorial in acoustic music. At the same time, he was also listening to great pop songwriters like Cole Porter, the Gershwins, and Rodgers and Hart, which explain his penchant for great melodies and clever lyrical twists.
A driving force of the Greenwich Village New Folk movement and well known among his peers, Cliff’s songs have been covered by the likes of Richie Havens, Buffy St. Marie, Erasure, Lucy Kaplansky and the folk superstar band "Cry, Cry, Cry" (Dar Williams, Richard Shindell, Lucy Kaplansky).
“Lorraine Hammond is the most versatile dulcimer player I know”, observes North Carolina dulcimer wizard Don Pedi. Lorraine’s numerous credits as a traditional singer, songwriter, teacher and instrumentalist include her groundbreaking Shanachie release with fiddler Gerry Milnes, "Hell Up Coal Holler”, a Homespun dulcimer instruction series, and two elegant Appalachian dulcimer books with Yellow Moon Press. Lorraine also plays, performs on and teaches five string banjo, mandolin and harp. Lorraine’s new CD, “The Opal Ring”, on the Snowy Egret label, combines the traditional New England ballads of her childhood with her own songs drawn from that childhood in the Connecticut Berkshires. Reviewer Mark Flanagan observes: “ Lorraine Lee Hammond opens her latest CD with some of the sweetest notes ever produced on the mountain dulcimer”.
Bennett is the sort of finger-picking guitar player you can listen to all day- The Shetland Times. He started playing in 1957 and began teaching in 1960, debuted as a virtuoso soloist in 1980 - on the In-Bound platform, Harvard Square Station - and has played above ground, at home and abroad ever since. Early influences include an EP side of folk and cowboy songs with guitar accompaniment his sister Lucy made in 1951, recordings of Etta Baker, Mike Seeger and Duane Eddy, and of course the Three B's - Bach, Bluegrass, and Bo Diddly.
Bennett's classes focus on developing students' individual skill and style, helping you to play like yourself, only more so.
Maura Kennedy has been touring, writing and recording for two decades with WUMB favorites The Kennedys. Along with husband Pete, she has also spent the last two years touring the US and the British Isles with legendary songstress Nanci Griffith. Maura co-produced Griffith's latest CD, and they have written a number of songs together. A vocal graduate of Ithaca College's School of Music, Maura combines her knowledge of singing and live performing with a unique songwriting technique based on dream imagery, and she is an enthusiastic and energetic teacher who loves to see and hear her students tap deep into their own creativity.
Pete Kennedy's main gig is songwriting duo The Kennedys, with his wife Maura. His broad experiences in the folk world include two decades of working closely with Nanci Griffith as lead guitarist and record producer, and prior to that touring nationally with Mary-Chapin Carpenter and Kate Wolf. As a freelance guitar slinger, he's gigged with Doctor John, Taj Mahal, Jackson Browne, and sat in with The National Symphony. His own mentors include Tony Rice, Doc Watson, Chet Atkins, rockabilly legend Danny Gatton, and jazz greats Charlie Byrd and Joe Pass. Pete loves teaching just as much as playing, and he loves to impart traditional techniques in a way that helps each student find their own unique guitar voice.
In a career that now spans two decades, New York duo Pete and Maura Kennedy have traversed a broad musical landscape, surveying power pop, acoustic songwriting, organic rock rooted in their early days in Austin, and a Byrds-inspired jangle that drew the attention of Roger McGuinn, Steve Earle, and most notably Nanci Griffith. The duo co-produced Nanci's latest CD. On their own recent release, "Closer Than You Know," the songs have a quality, inherent in Maura’s voice, that is both soothing and urgent. As writers and producers, the Kennedys continue to mature, from their early style-conscious pop to today’s burnished sheen. Always tuned to their own muse, Pete and Maura have once again come up with a unique sound that is as uplifting as it is unclassifiable.
Beginning his mandolin career in the Carolinas and making his way up to New England via Washington D.C., Ben Pearce has played bluegrass mandolin all over the East Coast. Ben currently performs with Rhode Island's Pegheads and Cambridge’s Tony Watt and Southeast Expressway. He is also the sole proprietor of the Outlier Workshop, where he toils day and night to create some of the best mandolins and flattop guitars available today. Don't let his youthful appearance fool you! He knows a huge variety of tunes, songs and mandolin styles as a result of his careful study of many of the first and second-generation mandolin giants, as well as contemporary players.
Sally Rogers began her career as a full-time touring musician in 1979, after encouragement from Stan Rogers, the legendary Canadian singer-songwriter. That was followed by an invitation from Garrison Keillor to appear on A Prairie Home Companion. She appeared more than a dozen times on that show, which launched her performing career. Her travels have since taken her to Europe, China, Hungary and Poland, England and Scotland and across the United States.
Sally has released thirteen albums, not including several collaborative projects with other artists. Her first album, The Unclaimed Pint, has stood the test of time and continues to be a big seller.
Although much of Rogers’ time is spent teaching music in the public schools and being an artist-in-residence these days, she continues to perform in concerts as opportunities arise. Her gorgeous singing voice, boundless energy and good humor are welcomed from coast to coast.